Rehearsal
A theme, a melody, is a definite statement in tones—and apparently music can never have enough of saying over again what has already been said, not once or twice, but dozens of times; hardly does a section, which consists largely of repetitions, come to an end before the whole story is happily retold over again.
How is it that a procedure which, in any other form of expression, would produce sheer nonsense proves, in the language of music, to be thoroughly sensible—to such an extent that rehearing what has already been heard is one of the chief sources—for many, the chief source—of the pleasure given by music?
Victor Zuckerkandl, Sound and Symbol. HT: John Barach
I gotta have my orange juice. 
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